Tag Archives: New Media

exhibitions terminal

Black & Jones in the Terminal Physical Space, April 22 – May 10

Black & Jones Terminal

 

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Visit Black & Jones’s Site

Statement

Our work is based on several assumptions; first, that life is good, second, that two artists working together are better than one working alone, and third, that information is there for the taking. That said, we seek to create new works from both existing and original audio-visual information.

We are part of a long line of collage theorists extending from Kurt Schwitters to Kara Walker, from John Cage to Brian Eno.

Using the techniques of digital sound and video editing – both in the studio and in live performances – our work explores the history of cinema, the culture of the Internet, the richness of language, the pervasiveness of music and all the ways in which media intersect and interact to create new languages expressive of our time.

In 2001 Retold, we ripped a dvd of Kubrick’s classic film 2001: A Space Odyssey and divided it up by dvd chapters. We then asked a variety of people to watch one chapter and recorded their retelling of the narrative. The original movie was then re-edited to match this retelling.

Living Gallery terminal

Channel TWo to Give Lecture and Launch “Instances” on April 9

Channel TWo

 

On April 9, 2013 Channel TWo will be on campus to give a lecture at 5pm in Trahern 401 and announce the launch of their new augmented reality artwork “Instances”

 

Project Information 

An instance is an intentional hidden message, inside joke, or feature in a work such as a computer program, movie, book, or crossword. Some [instances] may be intentional tools used to detect illegal copying, others are clearly examples of unauthorized functionality that has slipped through the quality-control tests at the vendor.

“Channel TWo: Instances” consists of thirteen augmented reality instances hidden across the campus of Austin Peay State University, beginning on April 9 and running through May 10. Each instance will direct you to a Channel TWo, downloadable friendly care package. All thirteen instances, you will need to download the Layar augmented reality browser by going to the Layar website and downloading the browser onto your iPhone or Android phone (http://www.layar.com/download/). In order to begin finding instances, visit the Channel TWo site for instructions at: http://www.onchanneltwo.com/instances

 

Bios

 

Adam Trowbridge and Jessica Westbrook collaborate as Channel TWo (CH2), a studio/research construct focused on mixed reality, media, design, development, and distribution, authorized formats + unauthorized ideas, systems of control + radical togetherness. Channel TWo is loosely aligned with the concept of over-identification, Slavoj Žižek’s description of a tactic intended to reveal the hidden nature of dominant ideologies — not by pointing to them but by becoming extreme forms of them. CH2 intersects joyful/play-oriented aesthetic experiences and user interfaces with challenging social undercurrents. Projects take the form of computer viruses, virtual environments, augmented realities, and motion/generative graphics. CH2 was awarded a Rhizome Commission in 2012, a Turbulence Commission in 2011, and a Terminal Commission in 2009. Trowbridge and Westbrook are both Assistant Professors at The School of the Art Institute of Chicago where they teach in the Department of Contemporary Practices and the Department of Art and Technology Studies.

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Lei Han in the Terminal Physical Space April 8 – 19, 2013

Lei Han Terminal

Lei Han is a new media artist, educator and designer. Fascinated by the influences of eastern philosophy in western art, especially in modern and contemporary art, her recent work aim for creating the cohesion between spirituality and creativity, and as well as making new connections between artist, viewer and object/subject. Lei’s current work, in experimental video, digital animation, video art and interactive video installation, has been exhibited at galleries, museums, and film festivals nationally and internationally. Including Krannert Art Museum, the Arts Center, St. Petersburg, Asheville Fine Arts Theater, North Carolina Visions, and Shenzhen & Hongkong Bi-City Biennial, China.

Lei received her BA in fashion design from Shenzhen University in China and her MFA in computer arts from Memphis College of Art. She is currently Assistant Professor of Multimedia Arts and Sciences at the University of North Carolina at Asheville and board member of The Media Arts Project.

http://nm.unca.edu/~lhan/mysite/

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Rosa Menkman in the Terminal Physical Space

Rosa-web

 

Every technology possesses its own inherent accidents. Rosa Menkman is a Dutch artist/theorist who focuses on visual artifacts created by accidents in both analogue and digital media. The visuals she makes are the result of glitches, compressions, feedback and other forms of noise. Although many people perceive these accidents as negative experiences, Menkman emphasizes their positive consequences.
By combining both her practical as well as her academic background, Menkman merges her abstract pieces within a grand theory artifacts (a glitch studies). Besides the creation of a formal “Vernacular of File Formats“, within her static work, she also create work in her Acousmatic Videoscapes. In these Videoscapes she strives to connect both sound and video artifacts conceptually, technically and sometimes narratively.
In 2011 Rosa wrote the Glitch Moment/um, a book on the exploitation and popularization of glitch artifacts (published by the Institute of Network Cultures), organized the GLI.TC/H festivals in both Chicago and Amsterdam and co-curated the Aesthetics symposium of Transmediale 2012. Besides this, Rosa Menkman is pursuing a PhD at Goldsmiths, London under the supervision of Matthew Fuller and Geert Lovink.
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The Terminal Physical Space Presents the Work of Valerie Sullivan Fuchs

fuchs_announcement

 

The Terminal Physical Space is pleased to announce an exhibition of the work of Valerie Sullivan Fuchs from March 4 – 15, 2013.

The Terminal Physical Space is located in the entryway of APSU’s Woodward Library.

 

 

Valerie Sullivan Fuchs (valeriefuchs.com) is an artist who works with film, video, video installation, sound, and sculpture to encounter the industrial and electric forms, which mediate our direct relationship with nature, the land and each other. Her work has been shown at “Transparencies and Trans-formations in Contemporary American Art,” U.S. Embassy, Stockholm, Sweden (2010-11); New Albany Public Art Project: Bicentennial Series, New Albany, Indiana (2010-11); Contemporary Arts Forum, Santa Barbara, California (2007); Non Grata Film and Video Festival, Pärnu, Estonia (2006); Galerie Eugene Lendl, Graz, Austria (2005); BELEF Art Festival, Belgrade, Serbia; and “Presence,” Speed Art Museum, Louisville, Kentucky (2005). She has received grants from the Sony Corporation, the Kentucky Arts Council (Al Smith Individual Artist Fellowship), and the Kentucky Foundation for Women. Sullivan Fuchs’ work has been reviewed in Art Papers, Dialogue, American Theatre, the Louisville Courier-Journal, the Louisville Eccentric Observer, and MIT’s electronic journal Leonardo. Beauty Unlimited, 2012 an anthology published in 2012, included a review by Fuchs.  She has published articles in Pitch Magazine and the Louisville Eccentric Observer.  Fuchs is a full-time Lecturer with the Fine Art College’s School of Art & Visual Studies, at the University of Kentucky.

faculty news

Professor Barry Jones Presents “Common Hope: Spartanburg” at the University of South Carolina Upstate

Barry Jones Common Hope

terminal

The Terminal Physical Space Presents the Work of Professor Morgan Higby-Flowers

morgan - announce

 

Morgan Higby-Flowers is an American artist based currently in Clarksville,Tennessee. He
received an MFA in Electronic Integrated Arts from Alfred University in 2011 and a BFA in
New Media Arts from The School of the Art Institute of Chicago in 2008. Morgan has
participated in multiple exhibitions including GLI.TC/H in Chicago and The Bent Festival
in Brooklyn NY. He recently performed live in the parking garage of the Museum Of
Contemporary Art for The Dirty New Media Round Robbin in Chicago, Illinois. He is
currently a visiting assistant professor of New Media Art at Austin Peay State University
in Clarksville,TN.

 

Statement:

My interests circulate around particular areas of the New Media Art spectrum,
specifically, work that incorporates discarded technologies. My aesthetic sensibility
tends to pursue encounters with wonderment, combining visual representations with new
deformations.

I use obsolete technology to create “no-input” systems that produce their own inherent
visual and audial elements. Antiquated AV equipment is devalued in our society where
“newer is better.” An item that was priced at ten thousand dollars in 1983 is perceived as
trash in 2013. Analog technology is inherently more malleable than digital. In my work,
antiquated machines create new and informed back leaps forward.

terminal

Winners of the 13 – 14 Terminal Awards Announced

www.terminalapsu.org_.jpg

Juror Greg J. Smith  has selected proposals from four artists for the 2013 – 2014 Terminal Awards. Projects by Gottfried HaiderJosh HiteFrederick Witold Ostrenko, and Atif Atkin were selected.

 

In selecting the 2013 Terminal Awards recipients, proposals were evaluated based on the provocativeness and clarity of project outlines, the strength of related past work and the manner in which proposals directly engaged the internet, as a medium. The four selected proposals are listed below.

Gottfried Haider’s “Drawing Circuits” playfully proposes a rudimentary browser to 3D milling machine workflow through which visitors to a website can draw electronic circuits and then manufacture them. In conflating the sketchpad and the electronic enthusiast’s workbench this project promises to create both a social space and an educational tool.

Frederick Witold Ostrenko’s “Conglomeration” is a sharp critique of the carnivorous capitalism of Silicon Valley that will transform the logic of a crude game prototype into a First-person shooter (FPS). Ostrenko’s proposed game riffs on the informatics of gaming and the ubiquitous data streams and visualizations of financial markets.

Rather than plug work into the tedious trappings of stock web portfolio templates, Atif Atkin’s “The Mutant Space” proposes a sincere rethinking of online photo archives. Utilizing Processing.js and experimenting with the capabilities of modern web browsers, this work promises to construct a dynamic space to exhibit the eerie non-place qualities of a collection of photographs documenting urban environments, frozen in time by the Chernobyl meltdown.

Delving into the world of vernacular video, Josh Hite promises to stitch together a video comprised of footage of ‘trundling’ – the rolling of rocks and boulders down hillsides. Curating a meditation on the essential qualities of landscape through YouTube footage might seem counterintuitive, but Hite’s past work demonstrates his capacity to identify and foreground strange idiosyncrasies and patterns, culled from the natural world.

Greg J. Smith February 2013

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Terminal Presents Boom! – a Live Video Performance Event at the Coup

Terminal

 

On February 1st at 6 pm, Terminal presents “Boom!” a live video performance event at the Coup in Clarksville. Boom! will feature Charles Woodman, Morgan Higby-Flowers, Aaron Hutcheson, and Barry Jones.

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Terminal Physical Space Presents Work by Charles Woodman

CharlesWoodman

 

Charles Woodman has been working in the field of Electronic Art for more than twenty years and has been a Professor of Fine Arts at the University of Cincinnati since 1999.

His recent projects have concentrated on the integration of video in live performances, often in collaboration with musicians or dancers, and on the creation of video installations for museums and galleries.

Exhibitions of his work include screenings at the Block Museum of Art in Chicago, the New Interfaces for Musical Expression conference in Vancouver, Canada, the Black Maria Film and Video Festival, Edison, NJ, the American Dance Festival in Raleigh, NC, the San Francisco Cinematheque, and the Museum of Modern Art in New York.

 

On Friday February 1 at 6 pm Woodman along with Barry Jones, Morgan Higby-Flowers and Aaron Hutchenson will be performing live video at the Coup in Clarksville.

 

Woodman was founding member of the video performance group viDEO sAVant and is currently working on the design of a new instrument for use in real time performance, a “gesture based interface for real-time control of video playback.”

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Terminal Announces the Launch of “The Poor House Project” by Angela Watters

The Poorhouse

 

Terminal and the Center of Excellence in the Creative Arts at Austin Peay State University are pleased to announce the launch of The Poor House Project by Angela Watters. Watters is a recipient of a 2012 – 2013 Terminal Award. The Terminal Award is granted annually to four artists to help in the creation of new internet based artworks.

 http://www.terminalapsu.org

The Poor House is a participatory art project organized by artist, Angela Watters.  Currently, the project is accepting submissions of student loan debt numbers from arts graduates. In the coming months personal invitations will be sent to well-known artists requesting a donation of a small work of art to decorate the interior of the gallery like interior of a $5 flea market dollhouse, or the Poor House, which will be transformed into a sculpture offered to collectors at the amount of collected student loan debt. The Poor House Project website compares debt collected with realized prices of paintings sold at auction. As the debt totals rise, the featured painting on the home page will change to a painting sold for a comparable amount.

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Terminal Announces the Launch of “Chastity” by Angela Washko

Angela Washko - Terminal

 

Terminal and the Center of Excellence in the Creative Arts at Austin Peay State University are pleased to announce the launch of Chastity and The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft by Angela Washko. Washko is the recipient of a 2012 – 2013 Terminal Award. The Terminal Award is granted annually to four artists to help in the creation of new internet based artworks.

Visit Terminal to learn more about the project.

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Michelle Given in the Terminal Physical Space from January 17 – February 2, 2013

givenCard

 

In this suite of videos Michelle Given investigates the intricacies of sexual tension, specifically its attendant feelings of anticipation, frustration and anxiety. She questions what is more fulfilling or agonizing— never getting what one desires, or obtaining the object of one’s desire only to find that it did not meet one’s expectations? Does the subject inLure hold the fishing pole, or is she dangling from the hook? In Chase, what are the ultimate goals of the participants— would satisfaction be achieved for the subjects or the audience if the actions were to be completed? If so, how profound or superficial would that fulfillment be? The videos’ subjects exist in a state of limbo, working towards or waiting for a culmination of their actions, a release that never comes. Given wants the videos to be alluring as well as disconcerting so as to echo the push/pull of the works’ basis.

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Terminal Presents the Work of Evan Meaney in the Physical Space

Evan Meaney, Terminal

Evan Meaney is an American-born researcher, teaching transmedia design at the University of Tennessee. His practices explore liminalities and glitches of all kinds; equating failing data to ghosts, seances, and archival hauntology. He has been an Iowa Arts Fellow, an artist in residence at the Experimental Television Center, and a founding member of GLI.TC/H. Currently, Evan works with the super computing team at Oak Ridge National Laboratory on new projects made possible through generous funding from the National Science Foundation.

faculty news

Solo Exhibition by Professor Barry Jones Opens Friday at threesquared in Nashville

Following this year’s presidential election, threesquared will present “Texts”, an exhibition of new works by multimedia artist and Austin Peay State University professor of art Barry Jones. From wall-mounted iPhones displaying the Ten Rules of Conduct used by civil rights activists during the 1960s lunch counter protests in Nashville to outdoor projected tweets from Tahrir Square, Jones’ work ultimately questions the possibility of significant political change and upheaval in the United States. The exhibition will include a series of videos, which explore well known political texts and manifestos, displayed simultaneously through projections, TVs, smart phones, and other devices to create a bombardment of information that provokes a poignant dialogue with viewers regarding the socio-political role and responsibility of media and technology in the digital age. The opening party will be held on November 9th from 6-9 pm. Wine and light refreshments will be served. Parking is free.