Tag Archives: Barry Jones

exhibitions terminal

Black & Jones in the Terminal Physical Space, April 22 – May 10

Black & Jones Terminal

 

Visit Terminal’s Site

Visit Black & Jones’s Site

Statement

Our work is based on several assumptions; first, that life is good, second, that two artists working together are better than one working alone, and third, that information is there for the taking. That said, we seek to create new works from both existing and original audio-visual information.

We are part of a long line of collage theorists extending from Kurt Schwitters to Kara Walker, from John Cage to Brian Eno.

Using the techniques of digital sound and video editing – both in the studio and in live performances – our work explores the history of cinema, the culture of the Internet, the richness of language, the pervasiveness of music and all the ways in which media intersect and interact to create new languages expressive of our time.

In 2001 Retold, we ripped a dvd of Kubrick’s classic film 2001: A Space Odyssey and divided it up by dvd chapters. We then asked a variety of people to watch one chapter and recorded their retelling of the narrative. The original movie was then re-edited to match this retelling.

faculty news

Professor Barry Jones Presents “Common Hope: Spartanburg” at the University of South Carolina Upstate

Barry Jones Common Hope

area art events faculty news terminal

Terminal Presents Boom! – a Live Video Performance Event at the Coup

Terminal

 

On February 1st at 6 pm, Terminal presents “Boom!” a live video performance event at the Coup in Clarksville. Boom! will feature Charles Woodman, Morgan Higby-Flowers, Aaron Hutcheson, and Barry Jones.

faculty news

Solo Exhibition by Professor Barry Jones Opens Friday at threesquared in Nashville

Following this year’s presidential election, threesquared will present “Texts”, an exhibition of new works by multimedia artist and Austin Peay State University professor of art Barry Jones. From wall-mounted iPhones displaying the Ten Rules of Conduct used by civil rights activists during the 1960s lunch counter protests in Nashville to outdoor projected tweets from Tahrir Square, Jones’ work ultimately questions the possibility of significant political change and upheaval in the United States. The exhibition will include a series of videos, which explore well known political texts and manifestos, displayed simultaneously through projections, TVs, smart phones, and other devices to create a bombardment of information that provokes a poignant dialogue with viewers regarding the socio-political role and responsibility of media and technology in the digital age. The opening party will be held on November 9th from 6-9 pm. Wine and light refreshments will be served. Parking is free.

faculty news

Black & Jones to Perform with the Gateway Chamber Orchestra

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Still from an animation by Black & Jones

Music and visual art to blend in Frankenstein!! concert at APSU on Oct. 1
From APSU’s Office of Public Relations and Marketing

Several times during the conversation, the name Leopold was whispered. The three Austin Peay State University professors were referring to a fictional character played masterfully by Bugs Bunny in the 1949 Warner Brothers Looney Tunes cartoon “Long-Haired Hare.”

Barry Jones, APSU associate art professor, spoke in a quiet, reverential tone when mentioning the name. Kell Black, art professor, said it a bit more forcefully. But it was Dr. Gregory Wolynec, professor of music and conductor of the Gateway Chamber Orchestra, who almost shouted the name with gusto. He has a special fondness for the character since Bugs Bunny is in fact impersonating the famed British conductor Leopold Stokowski.

It might seem a bit odd to find these three artists on a Friday afternoon, engaged in a serious discussion about a 63-year-old cartoon. But Bugs Bunny’s “Leopold,” Jones said, might just make an appearance at a unique, hybrid performance by the Gateway Chamber Orchestra and the visual artist duo known as Black and Jones at 7:30 p.m. on Oct. 1 in the APSU Music/Mass Communication Concert Hall.

That evening, the orchestra will perform the strange masterwork “Frankenstein!!” by German composer HK Gruber. The musicians will occupy the dark at the front of the stage, while Black and Jones project movie clips, live images and real-time drawings onto the massive back wall of the hall.

Wolynec came up with the idea for the orchestra to perform the Gruber work a year ago when he saw a video performance by Berlin Philharmonic Orchestra.

“The piece, Frankenstein!!, is for a chamber orchestra, and it’s based on German limericks translated to English,” he said. “German fairy tales tend to be a little more edgy.”

The extraordinary work references everything from Frankenstein to Superman to the 1960s James Bond film “Goldfinger.” When Wolynec rented the sheet music for this upcoming performance, it came with a box filled with unusual instruments such as car horns, plastic tubes, a jack-in-the box and tin kazoos.

“Almost the entire orchestra, at various times, puts down their conventional instruments and plays these,” he said. “When I saw a video of the Berlin Philharmonic Orchestra doing this piece, every member of the ensemble was having such a great time playing all these toys, I realized we have to do this.”

Wolynec mentioned the idea to Chris Burawa, director of the APSU Center of Excellence for the Creative Arts, and Burawa passed the idea on to Black and Jones. In recent years, the Center has sought to bring together different creative arts departments for spectacular genre-blending performances.

“So the notorious Black and Jones met with me and we discussed an approach that continues to evolve,” Wolynec said. “It essentially involves the live performance art that they do that is spontaneous interactions with video clips with each other.”

The two visual artists will be visible on stage, moving quickly back and forth between computer stations and mixing boards to create the images above.

“We like to refer to it more often as ‘Live Cinema,’” Jones said. “We’ll sample from existing clips of movies. We’ll be using software and hardware, making decision, mixing the video live.”

“Not only playing the video,” Black added, “but we’re also thinking of incorporating bits of shadow puppetry and drawing, so I can draw on a computer tablet and it will show up on screen.”

The Gruber composition is a dark piece, which combines elements of classical music, the German cabaret sounds of the 1920s and some pop influences of the late 1960s and early 1970s. Black and Jones said their images won’t necessarily follow the narrative of the music, but they will mimic the style and mood of the piece.

“It sounds like it was taken from Berlin in the 1920s, so that’s the look that we’re aiming for,” Black said. “So we’re taking lots of clips, silent clips from German cinema and also early American cinema.”

And possibly, when Wolynec takes the stage, the screen will show a cartoon rabbit greeted by calls for “Leopold!”

“I guarantee, this is going to be the coolest concert going on any where on the planet that evening,” Wolynec said.

Gruber’s “Frankenstein!!” is also only half of the evening’s concert. The second part of the performance will be dedicated to contemporary American composer John Adams’s Chamber Symphony.

“It was inspired by Arnold Schoenberg’s Chamber Symphony No. 9, but refracted through a lens of modern America,” Wolynec said. “This is the hardest piece we’ve ever done, and this is one of the most important pieces of the last 30 years. It’s probably the one thing that could stand up to the excitement of the first half of the program.”

For concert or ticket information, contact the APSU Center of Excellence for the Creative Arts at 221-7876.

exhibitions terminal

Interrupt This Program: A Glitch Art Intrusion in the University Center

Interrupt This Program - Terminal

 

As part of the Living Gallery Program, Terminal director Barry Jones has curated an on going exhibition of prominent glitch artists to play on the video monitors in the APSU Morgan University Center. Each month a different artist will be featured and will include jonCates, Nick Briz, Evan Meaney, Jon Satrom, and Morgan Higby-Flowers.

 

What is glitch art?

Glitch art is “art that tweaks technology and causes either hardware or software to sputter, fail, misfire or otherwise wig out”.
-Tom McCormack from Code Eroded

Interrupt This Program, Terminal, jonCates

Downtown Gallery exhibitions faculty news

Alex Ewin, Barry Jones, Heather Walker, Jarrod Walker at the Austin Peay Downtown Gallery

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The Austin Peay Downtown Gallery is pleased to present work in new media by alumni Alex Ewin, Heather Walker and Jarrod Walker and and by faculty member Barry Jones.

The show runs from June 7 – 30 with an opening reception on Thursday June 7 from 5 – 8 pm.

faculty news

Black&Jones (Professors Kell Black and Barry Jones) Selected to Participate in “Digital Graffiti” at Alys Beach, Florida

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“This one of a kind juried festival allows digital artists to explore how their fluid forms intersect with technology and wrap the architecture of Alys Beach to create entirely new art forms. Guests who attend Digital Graffiti are able to view these installments and glimpse the latest in digital art and technology.”

http://www.digitalgraffiti.com/

announcements exhibitions terminal

Terminal is Pleased to Announce the Launch of Soyaball by the WRMC Collaborative

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Visit Terminal

SoyaBall is an online fortune telling and fortune gathering site. Inspired by the popular Magic 8 Ball and Google’s auto-complete function, we seek to create a seemingly all-knowing device. Rooted in Dada and Surrealist games like the exquisite corpse and borrowing from notions of Oulipo poetry, SoyaBall juxtaposes two seemingly incongruous ideas through an extraction and recombination of data. The site takes gathered fortunes input by previous users and pairs them with questions asked by other users. SoyaBall questions the acquisition and distribution of how we find the answers to life’s questions. The site consists of two sections: one where participants ask a question and receive what the software perceives to be the best answer from the pool of available fortunes, the second section takes questions asked by previous users and asks new users to provide an answer. The two sections feed each other, as they have a cyclical relationship in generating content. Questions asked in one are answered in the other. SoyaBall is set up as a double-blind experiment in that the users are unaware that their questions and answers are feeding the disconnected databases.Users are limited to inquiry once a day to foster thoughtful questions and answers, as opposed to simply being a dumping ground for life’s less-challenging questions. SoyaBall puts technology, and specifically the internet, in the role of psychic figure as it offers the best answer based on the pool of information it has. Given the desire for most to simply jump online to find an answer, SoyaBall critiques the ways that we seek knowledge. SoyaBall lives online, but in our quest to blur the line between digital and physical space, the second phase of the project will involve constructing a portable device to take SoyaBall into public space. To spread knowledge of and access to SoyaBall, we will create and distribute QR codes that direct those with SmartPhones to a mobile version of the site. Users empower SoyaBall to give them definitive answers. SoyaBall playfully subverts our desire to find definitive answers and quench our uncertainty simply by taking any answer and labeling it as definitive.

faculty news

Black & Jones (Professors Kell Black and Barry Jones) Present a Live Audio-Video Performance on April 24

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Using live video and audio manipulation techniques Black & Jones will present a series of remixes of chapter 1 of James Joyce’s “Portrait of the Artist as a Young Man”. Black & Jones explore the history of cinema, the culture of the Internet, the richness of language, the pervasiveness of music and all the ways in which media intersect and interact to create new languages expressive of our time.

This performance is made possible with the support of Austin Peay State University through a Summer Faculty Research Fellowship.

http://blackandjones.net/

exhibitions terminal

Terminal Physical Space Presents Work by Arielle Falk from January 30 – February 3, 2012

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Terminal Physical Space is in the lobby of the Trahern Building on the campus of Austin Peay State University. Terminal’s home on the web is at: http://www.terminalapsu.org/

announcements opportunities

Call for Submissions for 12 – 13 Terminal Awards

During the 2012 – 2013 academic year, Terminal http://www.terminalapsu.org will award four – $500 stipends to assist in the creation of new internet based art works.

The submission deadline is February 15, 2012
Submissions are open to anyone.

Terminal can provide webspace for completed projects, or the artists may elect to host the project themselves (with Terminal retaining a copy for archiving). We simply ask that Terminal be acknowledged with a link from the project.

In an e-mail to: jonesb@apsu.edu include
1. Artist or Artists full name
2. Address
3. E-mail address
4. Short bio ( 100 words max )
5. Links to on-line projects ( 5 urls max )
6. Proposed project title and description ( 500 words max )
7. Documentation that supports the proposal (images, diagrams, prototypes, etc)
This information may be included in the text of the e-mail or as an attachment

jurors:

xtine burrough

xtine is a media artist and educator. She is the editor of Net Works: Case Studies in Web Art and Design (Routledge 2011) and co-author of Digital Foundations (New Riders/AIGA 2009).

Informed by the history of conceptual art, she uses social networking, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, to create web communities promoting interpretation and autonomy.

xtine believes art shapes social experiences by mediating consumer culture with rebellious practices. As an associate professor of communication at CSUF, she bridges the gap between histories, theories, and production in design and new media education.

http://www.missconceptions.net/

Stephanie Rothenberg

Stephanie Rothenberg creates provocative interactions that question the boundaries and social constructs of manufactured desires. Through participatory performance, installation and networked media, her work investigates the mediation of the physical, analog body through the digital interfaces of commodity culture. Adopting the role of cultural anthropologist, the medium of the techno-sphere itself becomes a laboratory for raising critical questions about our interpersonal relationship to technology and its broader socio-political implications.

Stephanie has exhibited, performed and lectured in the US and internationally at venues including the Sundance Film Festival, MASS MoCA, Whitney Museum of American Art, Banff New Media Institute and LABoral Center for Art & Industry. She has received numerous awards including a 2011 Harpo and a 2009 Creative Capital in Emerging Fields. She has been in residence at art & technology centers such as Eyebeam, Harvestworks and free103point9 Wave Farm in upstate NY.

In addition to her position as Associate Professor in the Department of Visual Studies at SUNY Buffalo, Stephanie is Artistic Co-Director of REV-, a non-profit organization based in New York City, that furthers socially-engaged art, design, and pedagogy.

www.pan-o-matic.com
http://rev-it.org/

exhibitions terminal video

Terminal Physical Space Opens with Work by McLean Fahnestock

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Terminal’s first exhibition in it’s “physical space” is “The Republic of Champions” video by McLean Fahnestock. The exhibition will run from January 12 until January 27, 2012.

TERMINALapsu.org is a site dedicated to showcasing and examining internet and new media art. Starting this spring semester, Terminal will be exhibiting video works by national and international artists in it’s physical space in the Trahern lobby.

exhibitions

Terminal is pleased to announce the launch of Browser Poems by xtine burrough.

Terminal is pleased to announce the launch of Browser Poems by xtine burrough.

 

In Browser Poems, burrough has reinterpreted three classic works of literature from the 20th Century (“O Captain, My Captain”, “On the Road”, and “Waiting for You at the Mystery Spot”) using just two languages (HTML and CSS) in the browser as the primary agent of transformation. In the works, burrough is not interested in writing the foundational text for the poetic experience. Instead, her aim was to design a web user’s experience for the works. The works adhere to the confining graphic formatting rules of current web standards, and include text, hypertext, images, videos, and audio. In the language-image-browser redesign process, the meaning of the poems are affected as follows:

 

Captain, My Captain 

O BROWSER, MY BROWSER is a browser translation of Walt Whitman’s 1900 poem, “O Captain, My Captain” from Leaves of Grass. In the original poem, the death of a ship’s captain is an allegorical reference to the death of U.S. president Abraham Lincoln. In this reinterpretation, the allegory shifts to the impending death of the web. Here, short clips of YouTube videos (all 24 found by a search on the site using keywords from each line of the poem) provide a background noise, or a context, to interfere with or aid the reading of the poem.

O' Browser, My Browser by xitine burrough - terminal

launch

 

On The Road

In 2007 burrough created hand-made bags for City Lights Bookstore as a public art intervention to celebrate the 50th anniversary year of the publication of On The Road. The original manuscript was notoriously produced on a single scroll of paper (or, many papers taped to each another) before Viking Press published the manuscript in 1957. The complete text is rendered as a continuous page in the browser. However all instances of the word “road” have been replaced with the word “browser.”

On the Web by xtine burrough - Terminal

launch

 

 

Waiting For You at the Mystery Spot

Adrienne Rich’s “Waiting For You at the Mystery Spot” (2000) is part of her 1998-2000 collection, Fox, which earned Rich the 2003 Yale Bollingen Prize for American Poetry. The judges acknowledged her “continuous poetic exploration and awareness of multiple selves.” In this language-image-browser redesign, the “Mystery Spot” (a California alternative tourist destination for gravitational anomaly lovers of all ages) takes on new meaning, or multiple selves, as the location of virtual Easter eggs relating to Rich’s text.

Waiting for You at the Mystery Spot by xtine burrough - Terminal

 

launch 

 

 

About xtine burrough

xtine is a media artist, educator, and co-author of Digital Foundations (New Riders/AIGA 2009). Informed by the history of conceptual art, she uses social networking, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, to create web communities promoting interpretation and autonomy. xtine believes art shapes social experiences by mediating consumer culture with rebellious practices. As an educator, she bridges the gap between histories, theories, and production in design and new media education.

 

About Terminal

Terminal is a space sponsored by the Department of Art and the Center of Excellence for the Creative Arts at Austin Peay State University to showcase and examine internet and new media art.

The site is directed and maintained by Barry Jones, Associate Professor of Art at Austin Peay State University

 


											
faculty news

“Please Call Stella” by Black & Jones (Kell Black and Barry Jones) at Anne Wright Wilson Fine Arts Gallery at Georgetown College

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Please Call Stella
by Black & Jones

October 27 – November 17, 2011
Anne Wright Wilson Fine Arts Gallery
Thursday, October 27, 2011
Opening Reception, 5-7 pm Artist Talk, 5.30 pm
Thursday, November 17, 2011 Closing Reception, 5-8 pm

“In this video installation piece, Black & Jones “…explore the history of cinema, the culture of the Internet, the richness of language, the pervasiveness of music and all the ways in which media intersect and interact to create new languages expressive of our time.”

For Information, Contact:
Laura Stewart 502-863-8399 galleries@georgetowncollege.edu