
Terminal Physical Space is in the lobby of the Trahern Building on the campus of Austin Peay State University. Terminal’s home on the web is at: http://www.terminalapsu.org/

Terminal Physical Space is in the lobby of the Trahern Building on the campus of Austin Peay State University. Terminal’s home on the web is at: http://www.terminalapsu.org/
During the 2012 – 2013 academic year, Terminal http://www.terminalapsu.org will award four – $500 stipends to assist in the creation of new internet based art works.
The submission deadline is February 15, 2012
Submissions are open to anyone.
Terminal can provide webspace for completed projects, or the artists may elect to host the project themselves (with Terminal retaining a copy for archiving). We simply ask that Terminal be acknowledged with a link from the project.
In an e-mail to: jonesb@apsu.edu include
1. Artist or Artists full name
2. Address
3. E-mail address
4. Short bio ( 100 words max )
5. Links to on-line projects ( 5 urls max )
6. Proposed project title and description ( 500 words max )
7. Documentation that supports the proposal (images, diagrams, prototypes, etc)
This information may be included in the text of the e-mail or as an attachment
jurors:
xtine burrough
xtine is a media artist and educator. She is the editor of Net Works: Case Studies in Web Art and Design (Routledge 2011) and co-author of Digital Foundations (New Riders/AIGA 2009).
Informed by the history of conceptual art, she uses social networking, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, to create web communities promoting interpretation and autonomy.
xtine believes art shapes social experiences by mediating consumer culture with rebellious practices. As an associate professor of communication at CSUF, she bridges the gap between histories, theories, and production in design and new media education.
http://www.missconceptions.net/
Stephanie Rothenberg
Stephanie Rothenberg creates provocative interactions that question the boundaries and social constructs of manufactured desires. Through participatory performance, installation and networked media, her work investigates the mediation of the physical, analog body through the digital interfaces of commodity culture. Adopting the role of cultural anthropologist, the medium of the techno-sphere itself becomes a laboratory for raising critical questions about our interpersonal relationship to technology and its broader socio-political implications.
Stephanie has exhibited, performed and lectured in the US and internationally at venues including the Sundance Film Festival, MASS MoCA, Whitney Museum of American Art, Banff New Media Institute and LABoral Center for Art & Industry. She has received numerous awards including a 2011 Harpo and a 2009 Creative Capital in Emerging Fields. She has been in residence at art & technology centers such as Eyebeam, Harvestworks and free103point9 Wave Farm in upstate NY.
In addition to her position as Associate Professor in the Department of Visual Studies at SUNY Buffalo, Stephanie is Artistic Co-Director of REV-, a non-profit organization based in New York City, that furthers socially-engaged art, design, and pedagogy.


Adrienne Outlaw
Fecund Series Videos, 2007-09
Installation variable, each funnel 9in x 9in x 9.5in
In recent years, artist Adrienne Outlaw has experienced a growing sense of unease with the rapid advances being made in medical technology. Her apprehension is reflected in works such as her “Fecund Series,” which require viewers to gaze into breast-like funnels to see eerily quiet videos, such as in vivo imagery of a beating heart.
“For the first time in history, there is knowledge available to mothers which forces them to make life or death decisions whether to carry a disfigured, malformed or unintentional fetus to term, whether to use pharmaceuticals with their associated risks and whether to risk passing on genetic diseases,” Outlaw said. “In these situations, we are no longer able to rely on long-established religious, societal or medical expertise for guidance, and too often, we only grapple with such problems at the time of crisis.”
This month, Outlaw brings the traveling show, “TAKE CARE: Biomedical Ethics in the Twenty-first Century,” to Austin Peay State University’s Trahern Gallery. The exhibition, which features sculpture, photography and video works by nine female artists, opens with a lecture at 5 p.m. on Jan. 17. A reception follows at 6 p.m. The show, which is free and open to the public, runs through Feb. 5.
The works included in the exhibit consider “…civilization’s unease with modern family planning, maternal and fetal care, childbirth and child rearing,” Outlaw writes in her curatorial statement.
“The TAKE CARE show highlights these bioethical dilemmas, with the hope that viewers will take the opportunity to better appreciate the complexity of these personal decisions in a rapidly changing world,” Outlaw said.
The artists featured in this exhibit include Outlaw, Annette Gates, Kristina Arnold, Sher Fick, Lindsay Obermeyer, Monica Bock, Sadie Ruben, Jeanette May and Libby Rowe. For more information on the show, contact Paul Collins, APSU assistant professor of art and Trahern Gallery director, at collinsp@apsu.edu.
Link for more info:
http://www.n-cap.org/take_care.html

Terminal’s first exhibition in it’s “physical space” is “The Republic of Champions” video by McLean Fahnestock. The exhibition will run from January 12 until January 27, 2012.
TERMINALapsu.org is a site dedicated to showcasing and examining internet and new media art. Starting this spring semester, Terminal will be exhibiting video works by national and international artists in it’s physical space in the Trahern lobby.

The University of Evansville Friends of Art are proud to present “Presence and Absence,” a photography exhibit by Susan Bryant that combines 19th century antiquated processes with contemporary digital technology. The exhibit will run from January 11-February 22 in the Melvin Peterson Gallery, located on the corner of Lincoln and Weinbach avenues.

For the month of December, MUC Gallery presents collections of light-drawings by APSU student photographers!
Opening Reception
December 12th, 2011 6:00 PM @ Morgan University Center Gallery, APSU, Clarksville, TN
Terminal is pleased to announce the launch of Browser Poems by xtine burrough.
In Browser Poems, burrough has reinterpreted three classic works of literature from the 20th Century (“O Captain, My Captain”, “On the Road”, and “Waiting for You at the Mystery Spot”) using just two languages (HTML and CSS) in the browser as the primary agent of transformation. In the works, burrough is not interested in writing the foundational text for the poetic experience. Instead, her aim was to design a web user’s experience for the works. The works adhere to the confining graphic formatting rules of current web standards, and include text, hypertext, images, videos, and audio. In the language-image-browser redesign process, the meaning of the poems are affected as follows:
O Captain, My Captain
O BROWSER, MY BROWSER is a browser translation of Walt Whitman’s 1900 poem, “O Captain, My Captain” from Leaves of Grass. In the original poem, the death of a ship’s captain is an allegorical reference to the death of U.S. president Abraham Lincoln. In this reinterpretation, the allegory shifts to the impending death of the web. Here, short clips of YouTube videos (all 24 found by a search on the site using keywords from each line of the poem) provide a background noise, or a context, to interfere with or aid the reading of the poem.
On The Road
In 2007 burrough created hand-made bags for City Lights Bookstore as a public art intervention to celebrate the 50th anniversary year of the publication of On The Road. The original manuscript was notoriously produced on a single scroll of paper (or, many papers taped to each another) before Viking Press published the manuscript in 1957. The complete text is rendered as a continuous page in the browser. However all instances of the word “road” have been replaced with the word “browser.”
Waiting For You at the Mystery Spot
Adrienne Rich’s “Waiting For You at the Mystery Spot” (2000) is part of her 1998-2000 collection, Fox, which earned Rich the 2003 Yale Bollingen Prize for American Poetry. The judges acknowledged her “continuous poetic exploration and awareness of multiple selves.” In this language-image-browser redesign, the “Mystery Spot” (a California alternative tourist destination for gravitational anomaly lovers of all ages) takes on new meaning, or multiple selves, as the location of virtual Easter eggs relating to Rich’s text.
About xtine burrough
xtine is a media artist, educator, and co-author of Digital Foundations (New Riders/AIGA 2009). Informed by the history of conceptual art, she uses social networking, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, to create web communities promoting interpretation and autonomy. xtine believes art shapes social experiences by mediating consumer culture with rebellious practices. As an educator, she bridges the gap between histories, theories, and production in design and new media education.
About Terminal
Terminal is a space sponsored by the Department of Art and the Center of Excellence for the Creative Arts at Austin Peay State University to showcase and examine internet and new media art.
The site is directed and maintained by Barry Jones, Associate Professor of Art at Austin Peay State University

Amanda Flowers (Blaeuer)

Rusty Mitchell, creative director at Mercury Intermedia in Nashville (and APSU alum), will be coming to Austin Peay as a guest speaker Tuesday, November 29th @ 5:30pm. The event will be held in Trahern 212. Mercury Intermeda is known for award winning design, development and platform solutions for iOS, android, and more. They have created apps for Showtime and USA Today.

The Austin Peay Downtown Gallery presents the work of Kelly Kerrigan and Clare Coyle Taylor. The exhibition will run from December 1 until December 31. There will be an opening reception during the First Thursday Art Walk on December 1st from 5 until 8 pm.
The Downtown Gallery hours are: Fridays 3 pm – 7 pm; Saturdays 10 am – 4 pm.

On December 14 at 5 pm, students enrolled in Digital Media 1 will present their final projects for the semester. Each student will be presenting a live cinema piece that is a visual/sonic self portrait.
“Live Cinema” today stands for the simultaneous creation of sound and image in real time by sonic and visual artists who collaborate to elaborate concepts on equal terms.
The event is free and open to the public.

Re/Touch: the process of improving something with new touches, or alterations, to produce a finished work. This word not only represents the culmination of works presented this Fall in a show of the same name, but also the education and experiences of nine highly creative graduating designers at Austin Peay State University. Jacquelyn Cordy, D. L. Zartner, Andy Blankenship, Matt Mixon, Brian Williams, Shafia Choudhury, Amber Barry, Carolyn Madison, and Nathan Lee are part of a capstone course taught by Professor Paul Collins. Works featured in this exhibition will cover the creative bounds of of graphic design – from animation to book design to advertising – in a fully developed installation environment designed and built by the students.
Says Professor Collins, “Everyone interested in design and education would be well served by visiting this show because of the quality and dynamic range of the works shown, and more because this show was entirely and completely planned, organized and staged by these students. It’s simply incredible to see the drive, execution, vision and collaboration of these graduating seniors.”
Re/Touch opens in APSU’s Trahern Gallery on December 5 with reception at 5 p.m. That is free and open to the public. Gallery hours for viewing the exhibition are from 9 a.m. – 4 p.m., Monday-Friday and from noon-4 p.m., Saturday and Sunday. The show runs from Dec 5 until Dec 16th and is sponsored by the APSU Center of Excellence for the Creative Arts and the APSU Department of Art, and viewing is free and open to the public.
For more information about Re/Touch, check out the show online (retouch.artapsu.com), follow on facebook, or contact the APSU Department of Art (931) 221-7333.
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